4 edition of On textual understanding and other essays found in the catalog.
On textual understanding and other essays
Peter Szondi
Published
1986
by Manchester University Press in Manchester
.
Written in
Edition Notes
| Statement | Peter Szondi ; translation by Harvey Mendelsohn ; foreword by Michael Hays. |
| Series | Theory and history of literature -- v.15, Theory and history of literature (Manchester University Press) -- v.15. |
| Classifications | |
|---|---|
| LC Classifications | PN701 |
| The Physical Object | |
| Pagination | xxi,224p. ; |
| Number of Pages | 224 |
| ID Numbers | |
| Open Library | OL15182040M |
| ISBN 10 | 071901462X, 0719014638 |
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Find more information about: ISBN: X OCLC Number. Foreword: Tracing a critical path: Peter Szondi and the humanistic tradition / Michael Hays --On textual understanding --The other arrow: on the genesis of the late hymnic style --The notion of the tragic in Schelling, Hölderlin, and Hegel --Friedrich Schlegel and romantic irony, with some remarks on Tieck's comedies --Friedrich Schlegel's.
This collection of essays from world-renowned scholar Hans Walter Gabler contains writings from a decade and a half of retirement spent in exploration of textual criticism, genetic criticism, and literary criticism.
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Few thinkers have addressed the political horrors and ethical complexities of the twentieth century with the insight and passionate intellectual integrity of Hannah Arendt.
She was irresistible drawn to the activity of understanding, in an effort to endow historic, political, and cultural events with meaning. Essays in Understanding assembles many of Arendt’s writings /5(2).
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Note: MySearchLab does not come automatically packaged with this text. To purchase MySearchLab, please visit: or you can purchase a ValuePack of the text + MySearchLab with eText (at no additional cost). philosophical argument a series of essays, of a kind I have never ceased writing, which are somewhat marginal to my other books.
In a more lyrical form, they all illustrate that essential fluctuation from assent to refusal which, in my view, defines the artist and his difficult calling. The unity of this book, that I should like to be. An essay is, generally, a piece of writing that gives the author's own argument — but the definition is vague, overlapping with those of a paper, an article, a pamphlet, and a short have traditionally been sub-classified as formal and informal.
Formal essays are characterized by "serious purpose, dignity, logical organization, length," whereas the informal essay is. The invention of the telescope played an important role in advancing our understanding of Earth's place in the cosmos. While there is evidence that the principals of telescopes were known in the late 16th century, the first telescopes were created in the Netherlands in Spectacle makers Hans Lippershey & Zacharias Janssen and Jacob Metius independently created.
Why I Burned My Book and Other Essays on Disability (American Subjects) These books packed the same type of WALLOP for me that ‘No Pity” did – “The New Disability History” is also a comprehensive history of disability – cross disability.
“Why I Burned My Book” talks of the search for heroes, public policy and more. How to Tell a Story, and Other Essays Contents: How to tell a story -- The wounded soldier -- The golden arm -- Mental telegraphy again -- The invalid's story.
Language: English: LoC Class: PS: Language and Literatures: American and Canadian literature: Subject: Essays Subject: Short stories Subject: Storytelling Category: Text: EBook-No. The paranoid style in American politics: And other essays by Hofstadter, Richard Dust jacket missing.
Cover and binding are worn but intact. A reading copy in fair condition. Topstain tangerine. The fore-edge of the text block has deckled edges. The cover boards and spine are both in good condition with no shelf wear damage or color fading. The text Seller Rating: % positive.Deconstruction is an approach to understanding the relationship between text and was originated by the philosopher Jacques Derrida (–), who defined the term variously throughout his career.
In its simplest form it can be regarded as a criticism of Platonism and the idea of true forms, or essences, which take precedence over appearances.
